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Researchers launched various hypotheses: resonance box used in oracles, to introduce a beam or hook with which to hold the sculpture to the wall, deposit of offerings and, very in passing, container of the remains of a late cremate. The problem posed by this latter hypothesis was double.

The use of sculptural funeral polls is very rare in the Iberian world, but the Lady of Elche is not alone in this catalog, because another of our great Iberian ladies, the one of Baza Granada , was discovered insitu inside the tomb at the one that was deposited 25 centuries ago, still containing the cremated remains of a woman in a hole under one of the arms of the throne. To these sculptures should be added two incomplete busts, in this case male and, curiously, from the same locations as the Ladies: Elche and Baza, which present both sides in the back, so that they could well have been used as well Funeral polls, although to this day I don't know if they have been tested to check it out.

Of the holes in these four sculptures, the largest is the Lady of Baza, with an interior volume of cm3, while the two male busts would have intermediate capabilities between those of the two ladies. But today I would like to highlight more positive ones: their thoroughness in documentation work and the effort to record the exact situation of each of the thousands of pieces found in the grave. Thanks to this, today we have an enormous number of photographs and drawings that allow us to move in time to one of the summits of global archaeology.

To achieve this result, Carter set up a simple but tidy and effective working system: Harry Burton first took the photographs of the objects, which had previously been labeled with a number, then Lindley F.

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Hall and Walter Hauser drew them in their exact site, placing them on a scale plane, then Carter and his trusted man Arthur Callender took early notes, and when the pieces were moved to the lab, Egyptologist Arthur Mace and the chemist Alfred Lucas took care of the consolidation and conservation treatments and gave a more detailed description. At the same time, each object was cataloged with a single reference that was scored in triplicate: in a general inventory, in the box containing the piece if applicable and in the piece itself.

Carter's efforts in this aspect and many others were modellic for his time. This thoroughness contrasts with the work of other previous and later Egyptologists. For example, we have only a couple of photographs and drawings of Tanis's royal graves and their contents, discovered in by Pierre Montet. Days are made eternal, but what better way to spend the hours than reading?

Books allow us to travel without moving from home and live the experiences we can't enjoy right now. I'm just asking if you like them leave an appraisal on Amazon. A hug without contact and much encouragement to all.

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NOTE: The latter contains the two previous books plus a third part dedicated to the discovery of Tanis's royal graves. Un pueblo guerrero y orgulloso cuyas Continue Reading. Of course, you are free to use it for those same purposes as many times you want. Actually, from the very moment its location was made public in , there were those who expressed their suspicions that this piece was a counterfeiting; and they came to this conclusion for two main reasons: on the one hand there were the then recent counterfeits of sculptures of the Cerro de los Santos, attributed to the infamous Yecla watchmaker and which did so much damage to recognition of Iberian art; and on the other hand was the enormous quality of the piece, far away from the rest of the works known until then.

To argue his thesis, Moffitt deflects a series of reasoning, from doubts about the circumstances surrounding the discovery itself to stylistic details, mostly without a consistent basis, as the main reason he fears is the lack of precedents of Similar sculptures, so he strives to point out a small figurine located in the Cerro de los Santos as the inspiration of the counterfeiter. But in my opinion that would be a bulge error, it's not logical to falsify something that is unprecedented, let alone with that quality.

He was also suspected of being so well preserved when most Iberian sculptures had been destroyed in antiquity, although he forgets that typically these destroyed sculptures were placed in the sight of everyone, while it was buried, since it was a funeral urn. She forgets that, for example, the Lady of Baza was at less depth and was found in perfect condition. And the doubts that might have existed in the late th century had no place in the late th century.

Moffitt knew by then that the stone on which the Lady was sculpted came from one of the quarries of the Ferriol de Elche place, and I doubt very much that in the th century no one could know that the many sculptures that would appear over the next decades in La Alcudia de Elche had been worked on stone from those same quarries. We already said that our sculpture was would save from destruction, precisely because it was buried.

I also knew Mr Moffitt at the time of writing his book the sculptures of the White Cerrillo de Porcuna, of a quality similar to our lady and facial features that, at least to me, seem close; nor could I fail to know the Lady of Cabezo Lucero Guardamar, Alicante , located in , with similar decorations and jewelry to Elche's, including side rodetes.

Prior to his death in , Moffitt also knew the thorough chemical analysis carried out in on the piece, which concluded that no sign of counterfeiting was appreciated, although he curiously did not issue any statement to comment on them. Unfortunately she did not know the latest and final analysis published in confirming that the stucco covering the gap that the Lady presents in her back had remains of calcium and phosphorus from human bones and teeth that, in addition, was they introduced very hot, i.

In no Iberian sculpture used as a funeral home was yet known, the first was the Lady of Baza and found in , so rarely counterfeiters could also take the trouble of introducing human bones into that hole without know for what. But at least what bothers me most is the tone in which Moffitt wrote, a tone of superiority and condescension in which he only lacked to tell us that we were dumb at auction, that we had no idea and that we preferred to live in the lie before admitting the sad reality. Unfortunately Mr Moffitt is no longer among the living, so he can not answer the many questions that come to our head, but what is no longer a doubt is the seniority and origin of the Lady of Elche, our Lady.

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  6. Benjamin Collado Hinarejos updated their cover photo. Among all the lights of the discovery of Tutankamon's tomb are also slipping some shadows, like the fact we present here. Unlike Lord Carnarvon, Howard Carter was not characterized by being an overly diplomatic man, so after the death of the former, the archaeologist had frequent brushes with local authorities. Tensions were rising until early the Egyptian nationalist government revoked the excavation concession and removed Carter from the grave while it still contained part of its treasures.

    On March 29, , and while Carter was still relegated from excavations, the Egyptian authorities set out to take stock of the pieces extracted so far. They headed to the grave that was being used as a workshop for the restoration and storage of the recovered objects, and there they were pleasantly surprised by the thoroughness of Carter's work that, among other things, catalogued each object with a single reference, which was noted by tripled: in a general inventory, in the box containing the piece and in the piece itself.

    But when they were out they fixed in a bunch of wooden boxes. Most had contained champagne and now were empty, but there was one, closed and identified with a label as red wine, which caught the visitor s' attention. They opened it and inside found a wooden sculpture representing the young pharaoh coming out of a lotus flower. What was that fantastic piece doing, which wasn't on any record, inside a semi-hidden box and without any tag tags? The Egyptian members of the expedition were clear from the beginning that Carter was trying to hide the piece, and so they let the country's prime minister know.

    The hasty explanation given by Carter was that the sculpture had been located in the downward corridor between the two blocked doors closing the grave and that, because it was not physically inside the chambers of the grave, it had not yet been catalogued. At that time he had already published his first volume dedicated to the grave, and indicated that in that hallway pieces of objects were found, but nowhere is this piece mentioned despite being one of the most remarkable of those located to that one moment.